Turandot (ballet)

Date: February 7, 2015
Location: Hong Kong Cultural Centre, Hong Kong.

Hong Kong Ballet

Choreographer Natalie Weir’s Turandot proves to be a reliable workhorse by returning on stage in Hong Kong for a fourth time, some twelve years after its premiere. Set in Puccini’s original music, the choreography mixes classical steps with a contemporary variety. After Turandot is first kissed by Calaf in the transfiguration scene, she pirouettes sprightly, but not without collapsing her rotating axis into the caring arms of Calaf, as if ready to be completely consumed by his love. When Calaf pronounces her transfiguration: “E amore nasce col sole!”, she would stand arabesque penché while gazing coyly at him, but not before rolling with him on the floor in raunchy, steamy lust. Playing the role of this transfigured Turandot was the elegant Zhang Si Yuan, who has recently been promoted to company principal. Her movements were calibrated but faithful, and by the look of her face she seemed to be truly absorbed in her character. As Calaf, principal dancer Li Jiabo had sturdy lifting arms and, while not a particularly high jumper, produced with unfaltering reliability. Another company principal Liu Yuyao danced to the music of what is one of the saddest roles in all of opera – that of Liu. While the namesake was a coincidence, her dancing portrayed a character with unbound will-power to do what is best for Calaf, while using her impeccably strong calf muscles to glide her relatively large body frame across the dance floor with fluidic beauty. Set designer Bill Haycock enlivened what is typically the most visually boring scene in the opera – the riddle scene – by using about a dozen corp members to form words by raising alphabet shapes, in an effort not unlike the sequential unveiling of a word in Wheel of Fortune. Haycock also did magic with Liu’s death scene by placing her on a podium and dropping from the lighting grid a long-running red silk onto her dying body. By omitting Puccini’s three stooges, Weir and Haycock also managed to streamline the story and focus on the love story.

Liu's death scene.

Liu’s death scene. Photo credit: Hong Kong Ballet.

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